New concepts for gaging, inspection, checking, machine vision, and robotic testing. Includes guidelines for installing complex electronic and computerized systems and a directory of commercially availalbe computer software, as well as distributors' names and addresses. Annotation copyright Book News

British artist Euan Uglow (1932-2000) maintained a lower profile than others of his generation, yet his beautiful, intelligent, humane, and often witty landscapes, still lifes, and figure studies are today gaining the recognition they so clearly deserve. Many critics and admirers now consider Uglow one of Britain's greatest post-war artists. This is the first book devoted to Uglow and his oeuvre. Richard Kendall's essay explores Uglow's fundamental attitudes, beliefs, and processes in the years 1950 to 1970, and Catherine Lampert looks at the content and personal nature of the artist's paintings over a lifetime, emphasizing his growing attention to color and light. The volume reproduces every known oil painting by Uglow-a total of more than 400 works--some 80 of which are here reproduced for the first time. In addition to a chronology, bibliography, and exhibition history for each work, the catalogue entries provide many other details and illuminating notes, including the artist's own observations. Exhibition Schedule: Marlborough Gallery, London (opens May 2007)

New concepts for gaging, inspection, checking, machine vision, and robotic testing. Includes guidelines for installing complex electronic and computerized systems and a directory of commercially availalbe computer software, as well as distributors' names and addresses. Annotation copyright Book News

A revelatory study of the importance of nature in Van Gogh's art throughout his life in Holland and France The celebrated painter Vincent van Gogh (1853-1890) had a lifelong fascination with the natural world. He spent his youth in rural Holland, and the country's flat landscapes, trees, flowers, and birds would feature in his early art. After he moved to Paris, he encountered new radical thinking about art and humanity's changing relationship with nature. Later, in Provence and Auvers, he discovered unfamiliar terrain, flora, and fauna that further influenced his artistic ideas and subject matter. Van Gogh's images of such diverse environments reflect not only his immediate surroundings but also the artist's evolving engagement with nature and art. Van Gogh and Nature is an eye-opening and beautifully produced catalogue, which accompanied the best-attended special exhibition in the Clark Art Institute's history. It chronicles the artist's ongoing relationship with nature throughout his entire career. Among the featured works are Van Gogh's drawings and paintings, along with related materials that illuminate his reading, sources, and influences. Vivid color photography and explanatory texts based on new research by the authors clarify a central theme of Van Gogh's oeuvre. Distributed for the Clark Art Institute Exhibition Schedule: Clark Art Institute (06/14/15-09/13/15)

Among the supreme masterpieces of 19th-century art are Edgar Degas's dramatic, incisive, and often brilliantly colored pictures of the ballet. Yet despite his enormous popularity as the foremost artist of the dance -- with more than half his vast body of paintings, pastels, drawings, and sculptures devoted to the on- and off-stage activities of ballerinas -- this is the first book to illuminate the theme in its historical context.
This authoritative volume presents much new material about Degas as an artist and his relationship with the ballet of his day. Far more knowledgeable about the training and technique of dancers than has previously been realized, Degas is shown responding to numerous ballet productions at the Paris Opira, to the shadowy life of the wings, and to the daily routines of the classroom. Originally published to accompany an acclaimed exhibition at the Detroit Institute of Arts and the Philadelphia Museum of Art, this lavish, richly illustrated volume should fascinate a wide audience of art- and dance-lovers.

Claude Monet (1840-1926) is one of the best-known and most beloved painters in the history of art, with myriad publications and exhibitions devoted to his oeuvre. And yet there remains a previously undiscovered aspect of his career: his surprisingly significant role as a draftsman. This book is the first to focus on Monet's pastels, drawings, and sketchbooks, offering a revolutionary new interpretation of the artist's life and work. Monet has long been seen as an anti-draftsman, an artist who painted his subjects directly and whose rarely seen graphic works were marginal to his artistic process. In an effort to develop his public image, Monet denied the role of drawing in his working method. In actuality, Monet began his career as a caricaturist and as a teenager developed a passion for drawing that was never extinguished. He went on to master the medium of pastel and included seven in the first Impressionist exhibition in 1874. Citing recently discovered, unpublished documents that overturn the accepted image of the artist, The Unknown Monet reveals an extensive group of graphic works created over the course of the artist's career, many of which are unknown to the general public and to scholars: beautiful pastels, stunning black chalk drawings, and fascinating sketchbooks, which include pencil studies that relate to many of his paintings. The book also shows how Monet exploited the print media to promote his art. The most important publication on Monet to appear in a generation, this illuminating volume is essential to anyone interested in his work, Impressionism, and nineteenth-century French culture. Distributed for the Sterling and Francine Clark Art Institute, Williamstown, Massachusetts Exhibition Schedule: Royal Academy of Arts, London (March 17 - June 10, 2007) Sterling and Francine Clark Art Institute, Williamstown, Massachusetts (June 24 - September 16, 2007)

A celebration of the work and lives of women artists who shaped the art world of 19th-century Paris In the second half of the 19th century, Paris attracted an international gathering of women artists, drawn to the French capital by its academies and museums, studios and salons. Featuring thirty-six artists from eleven different countries, this beautifully illustrated book explores the strength of these women's creative achievements, through paintings by acclaimed Impressionists such as Mary Cassatt and Berthe Morisot, and extraordinary lesser-known artists such as Marie Bashkirtseff, Anna Bilinska-Bohdanowicz, Paula Modersohn-Becker, and Hanna Pauli. It examines their work against the sociopolitical background of the period, when women were mostly barred from formal artistic education but cleverly navigated the city's network of ateliers, salons, and galleries. Essays consider the powerfully influential work of women Impressionists, representations of the female artist in portraiture, the unique experiences of Nordic women artists, and the significant presence of women artists throughout the history of the Paris Salon. By addressing the long-undervalued contributions of women to the art of the later 19th century, Women Artists in Paris pays tribute to pioneers who not only created remarkable paintings but also generated momentum toward a more egalitarian art world. Published in association with the American Federation of Arts Exhibition Schedule: Denver Art Museum (10/22/17-01/14/18) Speed Art Museum (02/17/18-05/13/18) Clark Art Institute (06/09/18-09/03/18)

This book offers a new look at works by notable French artists represented in the collection of the Sterling and Francine Clark Art Institute. Color reproductions of fifty-eight works-ranging from chalk drawings by Charles Francois Daubigny and Edgar Degas to woodcuts by Paul Gauguin and lithographs by Henri de Toulouse-Lautrec-accompany important reconsiderations of well-known works and print series. Essays by five prominent scholars consider the political, social, cultural, and market conditions that governed and motivated printmaking and drawing and examine how key artists contributed to the development of the graphic arts in 19th-century France. The volume concludes with a complete checklist of works included in the accompanying exhibition. Distributed for the Sterling and Francine Clark Art Institute Exhibition Schedule: The Frick Collection(03/12/13-06/16/13)

This is an EXACT reproduction of a book published before 1923. This IS NOT an OCR'd book with strange characters, introduced typographical errors, and jumbled words. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

This scarce antiquarian book is a selection from Kessinger Publishing's Legacy Reprint Series. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment to protecting, preserving, and promoting the world's literature. Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone

This scarce antiquarian book is a selection from Kessinger Publishing's Legacy Reprint Series. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment to protecting, preserving, and promoting the world's literature. Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone!

This scarce antiquarian book is a selection from Kessinger Publishing's Legacy Reprint Series. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment to protecting, preserving, and promoting the world's literature. Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone!

This book is a facsimile reprint and may contain imperfections such as marks, notations, marginalia and flawed pages.

Impressionism and Post-Impressionism at the Dallas Museum of Art offers a series of intimate case studies in the history of 19th-century European art. Inspired by a series of public lectures given at the Dallas Museum of Art between 2009 and 2013, the volume comprises twelve beautifully illustrated essays from leading academics and museum specialists. Opening with a new reading of one of Gustave Courbet's great hunting scenes, The Fox in the Snow, and ending with an exploration of a group of interior scenes by Edouard Vuillard, each essay stands alone as a richly contextualized reading of a single work or group of works by one artist. The authors approach their subjects from a range of methodological perspectives, but all pay close attention to the experience of making and viewing works of art. Distributed for the Dallas Museum of Art